The curandero must’ve been extremely good at his job, because at least one viewer was thoroughly protected from fear. and director Michael Chaves offered a bit of showmanship William Castle might’ve appreciated: For a film derived from a Latin American folk tale, they brought the owner of a Los Angeles botanica onstage, performing rituals he said would ward off evil spirits and prevent the “crying woman” of the film’s title from following viewers home. Check out the trailer below.Introducing their new film The Curse of La Llorona on Friday night at SXSW, Warner Bros. The Conjuring: The Devil Made Me Do It is out in theatres and available to rent on June 4. “I’ve been the biggest fan of James, he’s a master of horror … I’ve learned so much from him working with him on LA LLORONA, and I’m proud to consider him my friend.”
“One of the things I’m most thankful for is my relationship with all the awesome people with New Line. Having been hand-picked by James Wan to helm this third entry, Chaves also sung the praises of the studio’s commitment to horror and the mentorship between him and Wan since working together on THE CURSE OF LA LLORONA. “This is a story where there was a real murder, a man’s life was lost, and we’re telling it through the point of view of the murderer.” “With the other stories, there isn’t a real victim that you can point to,” he said. “Look at John Carpenter’s THE THING … It was weird and disturbing, and that’s what I wanted in those moments in the exorcism.”Īlthough each subsequent CONJURING film has been marketed as the darkest yet, Chaves promises that THE DEVIL MADE ME DO IT truly is the bleakest chapter of Ed and Lorraine’s paranormal investigations seen by audiences up until this point. I think everybody feels rewarded and nourished seeing that stuff,” he said. “We did do a face replacement … But I do think it’s really a lost art, these practical effects.
not sped up by the computer … She really lifted herself up like that.” This little girl named Emerald did that for real. You don’t want to see a lot of CG,” he said. “I think with THE CONJURING, a lot of what you want to see is practical.
With some sickening practical effects on display during the aforementioned exorcism, it’s clear that Chaves has brought along his eye for seamlessly blending the real with the digital as seen in 2019’s THE CURSE OF LA LLORONA and 2016’s THE MAIDEN, Glatzel’s body contorting and writhing as the Warrens fight for his soul.
“We cannot just do another haunted house movie.” “From the beginning, we wanted to make something that felt very different, surprise fans and take the Warrens to a place they had never been before,” said Chaves. case involving a murder suspect claiming demonic possession as a defense, this third CONJURING film begins with an intensely botched exorcism performed by Ed (PATRICK WILSON) and Lorraine (VERA FARMIGA) Warren on a young boy named David Glatzel (JULIAN HILLIARD). In anticipation of the upcoming release of THE CONJURING: THE DEVIL MADE ME DO IT in theatres and available to rent on June 4, RUE MORGUE had the opportunity to catch its opening scene and chat with Michael Chaves about why this third film is a different and darker direction for the series, his use of practical effects, and the ongoing process of collaborating with New Line Cinema and producer James Wan.įocusing on the first documented U.S.